♪ Bach J.S. (1685-1750) - Mass in b minor BWV 232

♪ Bach J.S. (1685-1750) - Mass in b minor BWV 232 - obrázek

♪ Bach J.S. (1685-1750) - Mass in b minor BWV 232 - obrázek

Johann Sebastian Bach (1685-1750) - Mass in b minor BWV 232

 

I. Kyrie was composed in 1733

 

1. Kyrie eleison (1st) - chorus (soprano I, II, alto, tenor, bass) in b minor, in tempo adagio, largo

2. Christe eleison - duet (soprano I, II) in D major with obbligato violins, in tempo andante

3. Kyrie eleison (2nd) - chorus (soprano, alto, tenor, bass) in F flat minor, in tempo allegro moderato

 

II. Gloria was composed in 1733

 

1. Gloria in excelsis - chorus (soprano I, II, alto, tenor, bass) in D major, in tempo vivace

2. Et in terra pax - chorus (soprano I, II, alto, tenor, bass) in D major, in tempo andante

3. Laudamus te - aria (soprano II) in A major with violin obbligato, in tempo andante

4. Gratias agimus tibi - chorus (soprano, alto, tenor, bass) in D major, in tempo allegro moderato

5. Domine Deus - duet (soprano I, tenor) in G major, in tempo andante

6. Qui tollis peccata mundi - chorus (soprano II, alto, tenor, bass) in b minor, in tempo lento

7. Qui sedes ad dexteram Patris - aria (alto) in b minor with oboe d'amore obbligato, in tempo andante

8. Quoniam tu solus sanctus - aria (bass) in D major with corno da caccia obbligato, in tempo andante lento

9. Cum Sancto Spiritu - chorus (soprano I, II, alto, tenor, bass) in D major, in tempo vivace

 

III. Symbolum Nicenum, otherwise known as the Credo may have been written in 1732

 

1. Credo in unum Deum -  chorus (soprano I, II, alto, tenor, bass) in A mixolydian, in tempo oderato

2. Patrem omnipotentem - chorus (soprano, alto, tenor, bass) in D major, in tempo allegro

3. Et in unum Dominum - Duet (soprano I, alto) in G major, in tempo andante

4. Et incarnatus est - chorus (soprano I, II, alto, tenor, bass) in B minor, in tempo andante maestoso

5. Crucifixus - chorus (soprano II, alto, tenor, bass) in e minor, in tempo grave

6. Et resurrexit - chorus (soprano I, II, alto, tenor, bass) in D major, in tempo allegro

7. Et in Spiritum Sanctum Dominum - aria (bass) in A major with oboi d'amore obbligati, in tempo andantino

8. Confiteor - chorus (soprano I, II, alto, tenor, bass) in F# minor, in tempo moderato, adagio

9. Et expecto resurrectionem - chorus (soprano I, II, alto, tenor, bass) in D major, in tempo vivace allegro

 

IV. Sanctus, Hosanna, Benedictus, and Agnus Dei was composed in 1724

 

1. Sanctus - chorus (soprano I, II, alto I, II, tenor, bass) in D major, in tempo largo

2. Hosanna in excelsis 1st. - chorus (soprano I, II, alto I, II, tenor I, II, bass I, II) in D major, in tempo allegro

3. Benedictus - aria for tenor with flute obbligato in b minor, marked andante

4. Hosanna in excelsis 2nd. - chorus (soprano I, II, alto I, II, tenor I, II, bass I, II) in D major, in tempo allegro

5. Agnus Dei - aria (alto) in g minor with violin obbligato, in tempo adagio

6. Dona nobis pacem - chorus (soprano I, II, alto, tenor, bass) in D major, in tempo moderato

 

Performed by:

 

Helen Donath - soprano

Brigitte Fassbaender - mezzo-soprano

Claes H. Ahnsjö - tenor

Roland Hermann - baryton

Robert Holl – bass

 

Choir and Bavaria Symphonic Orchestra, Eugen Jochum - conductor

21.05.2008 00:11:13
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